| The backing fabric was also a donation, a long length of a of Australian wild flowerprint from 1985. It was identified as a curtain fabric by one of our members who had chosen the same fabric for curtains in her previous house in the 1980s! |
| The backing fabric was also a donation, a long length of a of Australian wild flowerprint from 1985. It was identified as a curtain fabric by one of our members who had chosen the same fabric for curtains in her previous house in the 1980s! |
| Jeni made her ‘Figgy’ quilt during and after an online Abstraction class with Brenda Gael Smith. The restrained hand quilting! |
| The inspiration photo for Jeni’s quilt (‘fiche’ in Italian) was taken at a produce market in Italy last year. She cropped it to the shapes inside the tape. |
| Jeni made her landscape mini in an in-person class with Gloria Loughman for the Textile Collective. |
| Half square triangles in carefully chosen fabrics, and paired with a striking border, make a statement in Susan K’s quilt made as a gift. |
We held our AGM last weekend, along with a much appreciated slow stitching workshop led by Christine. Our thanks to the outgoing committee for their time and work volunteering, especially in a show year. Welcome to the incoming committee, and thank you for stepping up for 2026-2027.
| So many little pieces, so many seams to match, such a great result, Janet - but we know you like a Bonnie Hunter design! |
| The backing Art GalleryFabric print was a bargain community stash acquisition from an online destash. Janet quilted it on her long-arm machine. |
| Nerida’s legendary fabric collection has been put to great use for her version of ‘Mirabella’ designed by Margaret Sampson George. |
| Val’s latest contribution to our community quilts collection is part of her plan to reduce her fabric stash, which is also a legendary collection. She says she has a way to go! It’s a fabulous mix of prints of different scale. |