Do these colours remind you of anything? Laura made a Rubik’s cube quilt for her daughter, and kept the triangular off cuts, making them into a complimentary cushion.
A whimsical bag using some of Janice’s very favourite things - Liberty fabric and embroidery, working beautifully together. Pattern by Susan Smith @notjuzahuswife, with a tweak.
Chris has made a clever block keeper, rolled around a postal cylinder with a detachable lid that she has decorated with the backing fabric. She chose the cylinder so that she could not only lay her block pieces on the quilted surface, but when it’s rolled up and secured with the ties.
Notions like threads, pins, small scissors can be stored in the tube, its lid closed, and everything you need is kept together.
For the Fairholme Quilt Show, we appoint a subcommittee to plan every aspect of the two day event, which starts work about a year in advance. Helen Battellino was the 2026 Show Coordinator, guiding the whole process - thanks to Helen and the committee for a great job that resulted in a very successful event. Here’s how we put the quilt display together:
Members are asked to submit their entries about three months in advance of the show, so that the floor plan of the venue for the whole event can be developed, and frames ordered from Quilt NSW. The display is mounted the day before opening.
We called in family and friends to help us get the quilts up and down gain for our 2026 quilt show last month - we could not have done it without them, and thank everyone that made it possible. Some of the men have done this over many years and have worked out a system to minimise bending and ladder climbing. It all fits together on the day to a floor plan drawn up by Sue Crowe, who worked with Ric Battellino to overseeing the frames construction on the day.
The quilts are delivered with a label attached showing each one’s exact position in the display plan.
Anyone who has been involved in putting a quilt show together will know that pulling down is much faster than putting it up.
The poles and hanging rods are ordered according to the measurements of each quilt entered in the display plan, drawn up by Sue
Tabletop construction of the rows reduces bending and ladder climbing
Open 9 - 4 Monday - Friday; 10 - 2 Saturday and Sunday
Closed public holidays
From the East to Paris is inspired by the meeting of Modernist French and Eastern European artists in the 1920s. It explores the creative collaborations between French Modernist artists and Eastern European artists who sought refuge in Paris during and after the Russian Revolution. The era's exuberant textiles are celebrated through costumes, sculptures, wall hangings and a monumental collaborative artwork.
Open 9 - 4 Monday - Friday; 10 - 2 Saturday and Sunday
Closed public holidays
This exhibition brings together more than a decade of work by artist Jane Bodnaruk, tracing her use of second-hand clothing and household textiles to explore women, domesticity, memory, and care.
NORTH SHORE CRAFT GROUP Catering by Hornsby CWA
Thornleigh Community Centre Phyllis Avenue Thornleigh 2120
Multi talented, very creative Fairholme member Pat Nerlich painted three barn style quilts to decorate the ends of the quilt frames at the #fairholmequiltshow2026 in May - they drew in visitors’ eyes as they entered the main display, looking fabulous. Many thanks Pat.
For our 2024 Quilt Show, Pat made large paper flowers and gorgeous fantasy fabric birds to decorate the row ends - what might she conjure up for next time?
For more information on modern barn quilts, see History of Barn Quilts, from American Patchwork and Quilting, July 2025.
Janet whipped up a cot quit from her batik stash, including the backing.
Can you see the two slightly different blocks in this quilt made by Elaine W? It’s a nine block version of Amy Ellis’s design ‘Whispered Lace’ from her book Modern Neutrals.
How often could you be as lucky as Anne? She went to a branch of The Sewing Basket to drop off some donations, and right there she found all of the whirlygig blocks for the centre of this quilt, already stitched, and packaged with a length of turquoise fabric for the sashing. So of course she bought it and finished it into a community quilt.
This one was a team effort - the feature fabrics were donated by members, Helen packaged them into kits with bright sashing fabrics, and Pam put the top together. Anne took the basted top, quilted and bound it.
Another kit of donated feature prints and sashing ended up with Jill.
The backing fabric is an early Jocelyn Proust print found at Spotlight for a rare bargain price of $4/m just a few months ago.
A little cot quilt top made entirely from scraps in Jill’s stash, and sashing and border fabric shopped from Sue’s …
… the backing fabric was a donation to the community stash, and the binding was a late find in Jill’s cupboard, just enough with 2” to spare.